Friday, May 29, 2015

Game of Thrones Season 5, Episode 7: The Gift



We come to tonight’s episode of Game of Thrones—”The Gift”—on the heels of last week’s horrifying rape scene, only to find that some time has passed, and Sansa is in perhaps even more dire straits than we realized. She is locked in her room when Reek brings her food. Bruises cover her arms. She begs the man who was once Theon to help her, makes him promise to light a candle in the tower so that someone will come to save her. But instead he goes to his master, Ramsay. If you happen to be one of the many Game of Thrones viewers who has sworn off the show after last week’s episode—like The Mary Sue and various other confused dissidents—you will have missed all of this. It’s scary stuff, the way the show presents marital abuse and rape as truly awful. It’s scary, too, that so many viewers would decide to not watch or discuss the show over this topic, since it’s a very real, human issue that people face in the modern world as well as Westeros. These viewers will also have missed one of the best episodes of the season, an episode that ups the ante quite a lot, ratcheting up the tension, and setting in motion events that will carry us into what I suspect will be a harrowing final three episodes of Season 5. Oh well. That’s their loss. For those less fair-weather fans, there’s plenty to love about “The Gift.”
In the North, three stories begin to play out. Jon Snow heads off to find the Wildlings so that he can bring them south of the Wall to help fight the army of the dead and repel the White Walkers when (and if?) they actually come. This leaves Sam alone with Gilly and a dying Aemon. On his deathbed, Aemon observes Gilly’s baby, likens him to his own little brother “Egg.”
This is Aegon, who would become king when Aemon refused the Iron Throne. Aegon is one of the titular characters in Martin’s Dunk & Egg stories. He’s the grandfather of Aerys II, the “Mad King” who killed Ned Stark’s older brother and father, and who Jaime Lannister killed (earning him the nickname “Kingslayer.”) This also makes Aegon the great-grandfather of Daenerys Targaryen, and Aemon her great-grand-uncle.
Upon his death, the only known Targaryen left alive is Dany herself, though there are questions of lineage yet to be resolved. Sam is left alone with hostile Crows. At one point two of them attempt to rape, or at least harass, Gilly. Sam stands up for her, tries very unsuccessfully to fight them off. He’s beaten badly, but doesn’t back down (Go Sam!) and almost certainly would have been killed if Ghost hadn’t suddenly showed up. Which reminds me, why haven’t we seen any direwolves lately? Not only Ghost—and why isn’t Ghost with Jon?—but any direwolves at all. I really wish Arya’s wolf, Nymeria wasn’t cut from the show, and that we’d see some of the Brotherhood Without Banners. C’est la vie. Oh, and Gilly takes Sam’s virginity, which is cute. It’s a funny reversal of roles, in a way. She’s on top, asks him if it hurts, and so forth. (Go Sam!) (Also, so much for the vows. Nobody seems to follow them.)
The second story in the North is that of Stannis’s second great assault on one of the bad guy armies. The first time he was defeated by a combination of factors, though mostly it was Tyrion and his wildfire that stopped the Baratheon army. This time it’s the snow. The army is running out of food. Horses are dying. Davos Seaworth urges Stannis to turn back and winter in Castle Black. But this could be a winter that lasts years, Stannis reminds him. By the time it’s over, it will be too late. He makes a good point, though as Ramsay Bolton himself notes, the Northerners are used to fighting in the frost; Stannis and his men are not. The Red Lady, Melisandre, has an idea, though. Stannis needs to sacrifice those with king’s blood in order to use her dark magic and bring victory (though it hasn’t worked out all that swimmingly in the past.) The only person within miles that has any is Stannis’s own daughter, Shireen. Melisandre urges Stannis to sacrifice his own daughter in order to achieve his victory. At least for now, he refuses her, telling her to get out of his sight. After his earlier profession of love to Shireen, I can only hope that he remains as stubborn in his resolve to protect her as he does in his resolve to march—to victory or defeat. Spooky stuff. For being a lady of fire, Melisandre is one stone-cold…sorceress.
The final story in the North, which I began discussing up at the top, is the continuing trials and tribulations of poor Sansa Stark. The lady—Lady Bolton now, I suppose—is in bad shape, but she’s the bravest and most poised we’ve seen her yet. Her suffering isn’t intended merely as impetus for Theon to shake off his mental shackles, as some critics suggested last week. If anything, it will be Sansa’s will, her sheer force of personality and courage, that finally convince Theon to help her—if he does help her at all. So far he’s simply gotten an old Northern woman flayed. And if he does help her? She will be helping him as much, if not more. Theon is a victim, too, we’d do best to recall. But Sansa, in spite of her torment, is hardly broken the way Theon is broken. She reminds Ramsay that he’s still a bastard, that Tommen—who legitimized him—is a bastard, too. He doesn’t seem very pleased about this, and I shudder to think what he will almost certainly do to her later, but she’s obviously not lost her courage. If anything, she’s just now learning how brave and strong she truly is. (So, yeah, weird time for Sansa fans to boycott the show. But I digress…) Speaking of Tommen, things aren’t going so well in King’s Landing. Nobody Puts Baby In A Corner Here the inevitable fallout of all of Cersei’s plotting and conniving comes to a head, with not only Loras and Margaery in chains, but the Queen Dowager as well. Cersei has been playing with fire, foolishly assuming that the High Sparrow was a corrupt ally, when all this time he’s been tricking her into letting her guard down. It’s interesting that Littlefinger is portrayed as the one calling the shots here again. He supplied Loras’s lover to confess against the Knight of Flowers; and now he’s at least informing Lady Olenna that Lancel Lannister will do the same to Cersei. Either way, it’s gratifying to see Cersei get a taste of her own medicine. She’s been as vile as ever all season, meddling and meddling and so smug. But she’s done more to weaken her family and gut the power of House Lannister than any Stark or Baratheon or Martell ever could. Equally gratifying—or nearly so—was the wonderful exchange between the Queen of Thorns and the High Sparrow. This is the first time Lady Olenna has truly been at a loss, though I can’t help but root for her against the seemingly humble, but very dangerous, High Sparrow. The man is a fanatic, no matter his plain demeanor and simple ways. He’d bring all sorts of zealotry and horrors to an already horrible world, and the targets of his “many” would not only be pampered noble deviants, but many other disenfranchised people in the lower class as well, no matter his Marxist leanings. The episode draws to a close with Cersei cursing her captors, locked up in the very same dungeon she concocted for the Tyrells. You know what they say about Karma.

In Dorne, Jaime confronts Myrcella. He wants to take her home, but she won’t hear of it. She’s fallen in love with young Trystane, the Dornish princeling. She’s happier in Dorne where, other than a few crazy Sand Snakes, things are relatively peaceful and incidents of intrigue, murder, and war are all fairly nonexistent compared to King’s Landing. Meanwhile, Bronn sings to his prison-mates, the Sand Snakes, and engages in playful banter. Viewers who thought he’d been “killed” by the Sand Snakes’ poison last week can eat their hats. While the sell-sword was indeed poisoned, the girls give him an antidote before it kills him (thank goodness—Bronn is too great to kill off that way.) It’s a funny scene, with gratuitous levels of HBO nudity/strip-tease. But the entire Dornish story feels a bit anemic still at this point. We cannot languish too long wondering why we’re supposed to care.

The other big moment—one that’s danced around in the books but never actually happens—is Dany and Tyrion meeting at a small fighting pit in Meereen. Dany has reopened the pits, has agreed to marry the charming Hizdahr zo Loraq, and is thus far refusing Daario’s entreaties to just kill all the great masters and put an end to the Sons of the Harpy terrorism once and for all. Be bloody, bold, and resolute, he tells her (in so many words.) But she says she’d rather be a ruler, not a butcher. “All rulers are butchers or meat,” he replies. Ten points to Daario. In any case, Dany watches one of the matches where a bunch of slaves who aren’t supposed to be slaves fight each other to the death in order to qualify for the actual fighting pits. This strikes me as a hugely stupid and inefficient way to run gladiators. Why kill off your own slaves before they even have a chance to fight and make you any money? It doesn’t make sense. The slave owner is just burning money, basically, not even able to bet on the winner, or fight his men against the men of another slave owner. It’s absurd. Dany thinks so also (okay, no, she’s just disgusted by the senseless violence and not particularly swayed by Hizdahr’s mewlings about tradition) but then a new champion takes the field. It’s Jorah Mormont, though she doesn’t know it yet. He beats everyone quickly, as a trained knight surely ought to, and without actually killing them, and then reveals himself to Dany. Who just happened to be there at this very fighting pit, just like Tyrion just happened to be at the tavern where Jorah was, and this series of very contrived moments just keep coming over here in the east, away from Westeros. “Of all the fighting pits in all the world, she walks into mine,” Jorah quips to himself, we imagine, before he takes the field.
But Dany is less happy to see Jorah, and almost has him taken away before Tyrion shows up. “Wait!” Jorah begs his queen. “I brought you a gift.” Tyrion is fairly bold in announcing his presence as said gift. I’m really excited to see where the show takes their meet-up since it was one thing I so desperately wanted to happen in A Dance with Dragons and never got. The Targaryens and the Lannisters have a somewhat…troubled past. Tywin, Tyrion’s father, ordered the execution of basically Dany’s entire family. There’s no love lost between the two Houses. But Tyrion, as we all know, is a Lannister of a different color. I think that this just might be the beginning of a beautiful friendship. All told, this was a terrific, exciting, tense episode. After what’s felt in many ways like an entire season of set-ups, we finally get some pay-offs, too. There are many “gifts” here to justify the episode’s name: Jorah’s gift of Tyrion to Dany, obviously. But also Littlefinger’s “handsome young man.” Also Cersei’s bowl of venison for Margaery. Gilly’s gift of sex and love to Sam. The land in the North, where the wildlings would theoretically stay, is also called The Gift. So many double and triple meanings, just in this simple title. It’s grand to see Cersei brought low (though poor Tommen is now truly alone) even though we book-readers know what’s coming, or at least think we do. Lots of great moments throughout the hour, and lots of questions. How will Sansa escape? Brienne needs to come rescue her, but to do that I think Sansa will need to find a way to get through to Theon, past all that Reek. I have no clue what’s going to happen in Dorne. And I’m curious as hell to find out what happens between Dany and Tyrion. Next week can’t come soon enough, though I once again dread the end of the season, which is now just three measly episodes away.

Saturday, May 23, 2015

Game of Thrones' Season 5 Episode 6 Spoilers: Jaime Lannister to Face the Wrath of Sand Snakes


Now that "Game of Thrones" Season 5 has reached its halfway mark, it's time to start preparing for the endgame. The synopsis of next Sunday's episode hints that a lot of interesting twists and turns are in store for each of the main characters on the show. The episode is titled "Unbowed, Unbent, Unbroken", which is the motto of House Martell of Dorne, and we'll finally see the Sand Snakes, daughters of Prince Oberyn Martell - who was killed last season, getting ready to avenge their father's death.

The Sand Snakes made their first "Game of Thrones" appearance on the 3 May episode, "Sons of the Harpy", where they were shown torturing the captain of the ship who transported Jaime and Bronn to Drone. According to the synopsis of "Unbowed, Unbent, Unbroken", Jaime and Bronn reach their destination, but rescuing the former's "niece" isn't going to be as easy as he had thought, as the Sand Snakes have been anticipating their arrival.
Arya trains; Jorah and Tyrion run into slavers; Trystane and Myrcella make plans; Jaime and Bronn reach their destination; and the Sand Snakes attack. "There's going to be a big confrontation fight scene with Jaime and Bronn with the Sand Snakes in the Water Gardens," actress Keisha Castle-Hughes, who plays Obara, told Variety.

"I think the thing that I'm excited to see, especially with Obara, that she is absolutely a match for Jaime Lannister, which you don't expect. I think it's great because their reaction to us was like, "Oh, these little s–ts, let's get rid of them," and then it's like, "These little girls actually fight really well, whoa!" And then it dawns on them who they're fighting. They realize oh no, these are Oberyn's daughters, they're in trouble," she noted.
Elsewhere, fans will see Arya start her training to become part of the Faceless Men, while "Jorah and Tyrion run into slavers; and Trystane and Myrcella make plans."

Thursday, May 21, 2015

Keisha Castle Hughes TBT

NBR People Scene, back in 2012
Colin Mathura Jeffrees' 40th birthday at The Wharf
Keisha Castle Hughes and Ben Barrington

 Colin Mathura Jeffree and Keisha Castle Hughes

Monday, May 18, 2015

Keisha Castle-Hughes Pic of the Day

Game Of Thrones' Sand Snakes' (Keisha Castle-Hughes & Rosabell Laurenti Sellers) out and about enjoying the sun!!

Friday, May 15, 2015

Game of Thrones' Season 5 Episode 5 Spoilers: Tyrion Sees a Dragon, Jamie & Bronn to Fight the Sand Snakes



Tune into the next episode of "The Game of Thrones" where Jamie and Bronn set to fight the Sand Snakes.

"There's going to be a big confrontation fight scene with Jaime and Bronn with the Sand Snakes in the Water Gardens," the show's actress Keisha Castle-Hughes tells Variety. "I personally think they deserve it, they can't just turn up in Dorne and decide they're going to take the princess when they want her." She added, "I think the thing that I'm excited to see, especially with Obara, that she is absolutely a match for Jaime Lannister, which you don't expect."

"Game of Thrones" Kit Harrington tells E! Online Spoiler Chat that there might be scenes of white walkers. "It's safe to say that you might see more of them this season," Harrington says. "We might learn a bit more about that. But when and where, I don't know."

Monday, May 11, 2015

Women Are Finally Taking Back the Power on 'Game of Thrones'—Meet the Badass Who's Leading the Charge

Welcome, Obara, Nymeria, and Tyene Sand—the newessssst badasssssss women of Game of Thronesssss. (Get it? Sand Snakes, you guys.) We briefly met the pissed-off daughters of the late Oberyn Martell on Sunday's episode of Game of Thrones and, well, they're The Best. They fight, they torture jerk ship captains, and they only care about one thing: revenge. Which they plan on seeking, along with Ellaria Sand, on poor little Myrcella Lannister.
Keisha Castle-Hughes plays take-no-bullshit oldest sister Obara—here, she tells us what we can expect from these goddesses. And then we imagined a world where they were BFFs with Arya Stark and everything was perfect.
Marie Claire: So we got a glimpse of Obara Sand this past Sunday's episode—and we're dying to know more/everything.
Keisha Castle-Hughes: "Obara Sand is the eldest of all the Martel's daughters, the Sand Snakes. She's a warrior monk, which means that she meditates on her actions as much as she kills people, which sounds like it doesn't work at all, but in Dorne, it makes perfect sense. She wields the same weapon of his father, Oberyn Martell, the spear, which is the Dornish weapon as well. She takes great pride in who she is and where she's from, and although she comes across initially as like she's quite emotionally unavailable, and cold and stern, it's not like she doesn't feel anything. She's just very controlled with her emotions. She's taking the death of Oberyn very hard—she cried a lot of stoic tears over it. She's grown up with her father who spent his entire life waiting to avenge the death of his sister, and so this is what she knows: If you lose a family member at the hands of someone else, they must pay."
MC: So dramatic!
KCH: "We nicknamed her 'drama Obara.' She loves the sound of her own voice."
MC: The female characters of GoT wield the least power (technically) in this fictional guy-dominated society—but the women actually seem much stronger. How will the Sand Snakes fit in?
MC: The female characters of GoT wield the least power (technically) in this fictional guy-dominated society—but the women actually seem much stronger. How will the Sand Snakes fit in?
KCH: "Absolutely! I mean, we could have a whole other discussion—but what I'm most excited about is that we haven't seen women who work together—the only other kind of sibling relationships we've seen were Sansa and Arya who when they were together were extremely cruel to each other and had very different outlooks on how each other should behave—like this. These three girls are all very supportive of each other. These are the general sibling stuff that exists, which was really important for us three as actors to play because we wanted them to be real people. Of course they are going to be annoyed with each other. Like the youngest sister is going to irritate the eldest, and Nymeria and Tyene fight a lot, but when it comes to fighting for the common cause of avenging their father, they are still all on the same page. At this point, Obara would literally work with anyone who would avenge her father's death."
MC: But is it fair to go after Myrcella since she's totally innocent?
KCH: "Oh, absolutely! I think of the three, Obara is the least concerned with the details. Obara is just like, An eye for an eye however it happens."
MC: What kind of fight training did you do to prepare for the role?
KCH: "From the get-go, I started studying the martial art of Wushu, which really lends itself to that concept of Obara being a warrior monk. So much of martial art is about the physicality as it is about your state of mind. Because she is a very stern and hard character, it was really important that in playing her that she didn't come across as just cold and dead inside. There was still a person in there. And an inner peace; all of her decisions come from the right place. And so Wushu was a huge help in that."

MC: Fantasy Got alliance?
KCH: "In my ideal world, I would really, really love to see the Sand Snakes work with Arya Stark. That would be the most badass combination, and it would make so much sense. Definitely not a Lannister."
MC: So, without ringing the spoiler alert alarm, what can we expect from the Sand Snakes this season?
KCH: "Lots of badassery."

Thursday, May 7, 2015

Keisha Castle Hughes TBT

Keisha Castle-hughes -the Whale Rider Movie Premiere at the Ucg Haymarket and Party 2003

Wednesday, May 6, 2015

Game of Thrones season 5, episode 4: Sons of the Harpy (spoiler)



Keisha Castle-Hughes made a dramatic entrance into Game of Thrones, spearing a man through the head before the episode was out.


As Obara Sand, one of the three Sand Snakes and daughter of Prince Oberyn of Dorne (he who died an implausibly horrific death last season at the hands of The Mountain), Keisha Castle-Hughes got the most screen time of all the sisters.

Wearing a snug leather breast-plate and a fierce scowl, the former Whale Rider star was plausible as a deadly warrior, set on vengeance against the Lannisters for the death of her father. She ended her empassioned monologue by skewering a dude's head with her spear, getting her point across in the most grisly way available. Nice one, Keish.

Tuesday, May 5, 2015

Keisha Castle-Hughes quotes #15

It feels kind of strange knowing that I rule the whole planet of Naboo and I'm only thirteen.

At first, my face—because it was really white—was a bit of a shock. But when the whole costume was put together and the headdress was put on, I really felt proud, like a Queen.
(Keisha, on her small role in Star War Episode 3)

Saturday, May 2, 2015

Meet the Oscar Nominee Playing the Newest Female Badass on Game of Thrones

No longer the little girl from Whale Rider, Keisha Castle-Hughes is back, and bringing her weapon with her.

Every April, Keisha Castle-Hughes gathers with her friends for a Game of Thrones viewing party. For last year's season premiere, she wanted to dress up as Daenerys Targaryen and dragged her friend around Hollywood Boulevard looking for the famous Khaleesi costume to wear to the party. “My friend had never watched the show and didn't understand why I was running around looking for a crazy blond wig,” she recalls. "I spoke to her a couple of weeks ago, and now she's all caught up so she can watch me while I'm on it. She's like, ‘People will soon be dressing up as you for their parties.’ It's mind-blowing.” The New Zealand actress, who was once the youngest best-actress Oscar nominee in Hollywood history, is the newest cast member to join HBO's juggernaut series for Season 5. Introduced in this Sunday’s episode, she plays Obara Sand, a deadly, spear-wielding warrior seeking vengeance against the Lannister family for the death of her father, Prince Oberyn Martell. Since her breakout role in Whale Rider at the age of 12, Castle-Hughes has worked steadily and appeared mostly in New Zealand television shows and indie films. She also became a teen mother when she gave birth to her daughter at 16. But her role on Game of Thrones has relaunched her career and cemented her passion for acting. “When I was nominated for an Oscar, I didn't know whether or not to be an actor. It was something that I just did,” Castle-Hughes, 25, tells VF.com from her cozy Los Angeles apartment on a March morning. “I didn't understand the concept of what acting really was. To receive recognition at that level and not understand it is like working backwards. Now I know that I want to be an actor. I have realized that I am intrinsically designed to do this, and nothing else satisfies the hunger that I have.”

As a fan of the Game of Thrones books as well as the show, she knew there would be a need for ethnic-looking actresses after Prince Oberyn Martell from Dorne (played by Chilean actor Pedro Pascal) turned up last season. “I started to do some investigating and asked my manager to keep an eye out for any Game of Thrones casting calls, and sure enough, there was one for Oberyn's daughters, known as the Sand Snakes.” Since landing the role last May, Castle-Hughes admits, “I was immediately drawn to Obara. She's the oldest of all the Sand Snakes, and I am the oldest of five siblings, so I understood that dynamic very well.” Castle-Hughes describes her character as “ruthless, badass, dangerous, and thirsty for Lannister blood,” but she also has compassion. “She's a daughter who adores her father and misses him. She isn't one to cry, but what she wants in life is to be exactly like him and to make him proud,” the actress says. “She also has love for her sisters. Obara looks after them; but they fight, they are annoying, and they drive her crazy. She has love in her heart, deep down under all the armor.” One part of what makes her character so intimidating is her wardrobe. Obara and her sisters wear armadillo-skin-like chest plates with nipples that give them seductive and alluring looks, which keep their enemies off guard. “Obara wears her armor 24/7," Castle-Hughes notes. "She always wants to be ready for battle.” As for the nipples: “It’s Game of Thrones! You still have to keep it sexy,” she laughs. Though, she’s relieved that she won't have to be nude on screen. “Oh my gosh, to think how many people watch the show, like my fifth grade teacher or the parents of my daughter’s friends, that would be embarrassing,” she admits. “I’m so happy that Obara doesn't have an ounce of sexuality!”

Castle-Hughes’s career began at the age of 11 when a casting agent discovered her at school in Mount Wellington, New Zealand. With no previous acting experience, she beat 10,000 other young girls to star in Whale Rider as a fiery and courageous Maori girl who is the heir of her tribe, even though her grandfather believes that the chief role is only for males. Her performance earned rave reviews which led to an Oscar nomination—making her the youngest nominee ever in that category, until Quvenzhané Wallis, at age nine, was nominated for her work in Beasts of the Southern Wild in 2013. “It’s surreal and crazy to look back on that time. I didn’t know what the Oscar really meant,” she admits. “No one anticipated the success the movie would have. My mum and I were thrown into the craziness. Because I was so young, it was almost kind of traumatic, and you shut it away. The attention was so much at one time, but at the same time it was super exciting.” She remembers riding in a limo for the very first time, receiving her first manicure, getting red-carpet ready with the help of famous hairstylist Frederic Fekkai, and staying at luxurious five-star hotels. “I can understand how fame can negatively affect someone. You can easily get caught up with the perks and forget what reality is.” Once awards season wrapped, Castle-Hughes returned home to Auckland and went back to school. “That was my saving grace. I had somewhere to go after the Oscars where people were normal. I was out of the spotlight.” That didn't last long. After appearing in Star Wars: Episode III - Revenge of the Sith as Queen of Naboo, in 2005, she portrayed the Virgin Mary in 2006’s The Nativity Story. Once the film wrapped, Castle-Hughes, at 16, made a surprise announcement: she was expecting a baby with her then boyfriend of three years, Bradley Hull, who was 19 at the time. Her pregnancy set off a media firestorm as critics condemned her for being too young to raise a child and also for being pregnant out of wedlock. “I kind of felt like a dirty girl who had done something wrong,” she remembers of the negative reactions to her pregnancy. “No one was happy for me. I didn’t want to become the poster girl for teenage pregnancy, but I wasn’t focused on that or what other people were thinking. I just did the best I could. I was really young to have a baby, and I don’t really advocate that, but I made the best of it and tried to turn it around.”

She gave birth to daughter, Felicity-Amore Hull, on April 25, 2007, and, although her pregnancy was a “complete surprise,” there was no question of whether or not to have the baby with Hull. “Once I found out I was pregnant there was no decision. I was shocked, but it was like, ‘O.K., we are having a baby.’ Then we had to get into action mode quickly,” she says. “Having Felicity was the best thing that ever happened to me. Yes, I was very young, but I knew I had a good support system from my family. It really does take a village to raise a child. I couldn’t have done it without them.” Castle-Hughes ended her engagement to Felicity’s father in 2010 and was dogged by rumors that she was, in her own words, “New Zealand’s own Lindsay Lohan.” As she describes it, “I was very much a normal teenager. I got drunk when I was in high school at parties a couple of times and smoked a few cigarettes, but that's it.” Now an adult with an eight-year-old, married to writer Jonathan Morrison for two years, Castle-Hughes is using her experience as a teen mom to help other young parents. She volunteers with the nonprofit organization called Thrive in New Zealand, which provides support and resources for teen parents to succeed while caring for an infant. “One of the most important things I've learned and tell people is that having a baby is a little road bump, but not a roadblock,” she says. “Your life doesn’t have to stop. You can still get yourself educated and follow your dreams.”

Today that dream includes both conquering TV’s hottest shows—she also made a recent cameo on AMC’s The Walking Dead—and dipping a toe into the world of comedy. She recently started training at the Upright Citizens Brigade in Los Angeles for four days a week to brush up on her comedic skills. “The idea of doing improv terrifies me, but I want to do it because I like putting myself out there and trying new things and exploring new ideas,” she says. “I’m grateful I have the time right now, and it gives me a little distraction from choosing what to wear to the Game of Thrones premiere. I can’t dress up as Khaleesi like I did for the viewing party!”
by: Paul Chi for Vanity Fair